This said, I decided to give both shows a chance. The new updated version of "Jekyll" starts James Nesbitt, the voice of the Yellow Pages, and is written by Steven Moffat. Moffat is responsible for twenty-eight brilliant episodes of Coupling, four fantastic episodes of Doctor Who and the more-than-silly Press Gang. He is a big fan of writing non-linear plot driven dramas. He also has a bloody sharp wit about him. This opening episode of his new drama is no different. We jump into the first episode with James Nesbitt already coping with his new life as two people, and he's oddly already used to it. He's got a family, Alan Johnson from Peep Show following him about, as well as two lesbians and a black van interested in his evil counterpart. And I've got to tell you: it was a bloody scary 55 minutes. If you've ever seen Moffat's Doctor Who episodes, you'll notice how brilliantly scary he can be without the need to kill anybody. Nowadays in Film and TV, the only way to scare somebody is to kill every third teenager who dares meddle with whoever the lead Psychopath is. Not true. Moffat's already succesfully given us scary gas mask children, clockwork androids and statues that only move when you blink; without even killing a single person! He successfully manages this brilliant formula to this new drama.
As mentioned in the script, this alter-ego is "a child in a man's body". Keep your dirty Gary Glitter jokes to yourself.
My favourite character is definately Nesbitt's interpretation of Hyde. It was a brilliant mix of Professor Snape and Jim Carrey's The Mask character. And, despite his violent streak, it's bloody adorable! As mentioned in the script, this alter-ego is "a child in a man's body". Keep your dirty Gary Glitter jokes to yourself.
So, on the BBC, we have great suspensful drama without the need to kill anybody. What have we got on ITV.
Oh.
"Britain's Got Talent."
Now, ITV haven't really had a successful Saturday night show since the days of You Bet. In fact, they've basically been screwed since the arrival of a certain Timelord on the other side of the airwaves. I will say this was entertaining. I'll also say that some of the talent displayed was particularly enjoyable. It's just... that infuriating Amanda Holden! It's always the same. She's a sucker for ugly people, old people and young children who think they can sing. She can't be a fair biased judge if her maternity instinct kicks in whenever there's a four-year old in the room. People always give Simon Cowell a hard time, but he always gives his brilliant opinion which is always fact. Then, people go on and rant "Oh yes, but Simon, you signed the Teletubbies to a record label! Ahahaha!". Yes, he did. But he made a truckload of money out of it. He makes smart decisions does Simon. He doesn't turn into a blubbering wreck of emotions like Amanda Holden.
Moving on, and we had.. oh.. a guy with a monkey. A miming monkey. What the jam-mastering hell is going on?
Still, I was able to catch the finalé in the pub last night. Little Miss Muffet who kept singing showtunes annoyed the blithering hair out of me. Was her speaking the lyrics to "I'm Getting Married in the Morning" whilst cockney-jumping around the stage a talent? There was also that little six year old girl who sang Somewhere Over the Rainbow. Which was... as good as her audition when she sang exactly the same song. That's not a talent, it's a party peice. Moving on, and we had.. oh.. a guy with a monkey. A miming monkey. What the jam-mastering hell is going on?
Still, we had a brilliant guy singing opera. He won, which was the only choice it could have been as he was the only person on the show displaying any sort of talent. Still, at the end of the day, this show is no different to Pop Factor or Any Show Will Do. Well, with the difference that people who can juggle bottles of vodka can apply to be on it. It annoys me that people would rather sit down and watch a bunch of nobodies sing rather than sit down and watch a good drama on the BBC.
Did I mention how brilliant Steven Moffat is? Okidokey.
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