Showing posts with label Britain's Got Talent. Show all posts
Showing posts with label Britain's Got Talent. Show all posts

Sunday, 13 April 2008

Simon Says

I've just heard Simon Cowell say this:

And if Britain has no talent, it'll be the end of Britain's Got Talent


Really? And I suppose if they run out of casualty victims on Casualty, it'll be the end of Casualty.

Tuesday, 19 June 2007

Britain’s Got Talent and the Relative Future of British Telly

So I thought I’d start off with a clever title, even though it has very little to do with the actual article I am about to portray, hell it probably doesn't even make any sense on its own. I just wanted to counter pretty much everything what has already been said about Britain’s Got Talent. I bloody loved it. I absolutely, positively, toe-tappingly loved it. And as good as Jekyll may or not be, Britain’s Got Talent is without a doubt the better of the two for Saturday night telly.

Saturday night telly is all about the silly, the wacky, and yes, occasionally, about a 9 year old flying about and uncontrollably smiling so much she’d probably been attacked with a botox needle the night before by her parents who saw their chance to be rich and famous. Think back to the greats: Brucie, Gladiators, even Doctor Who. At least they used to use their serious sparingly. Even then it’s either a salt shaker killing a tin robot or a muscle-bound lady getting smacked with a foam baton and breaking her neck on the floor below whilst a whole nation cheers and, deep down, hopes she can never walk again. Or maybe that’s just me...


Ant (left), Paul Potts (centre), Dec (right), Not Pictured - Bad teeth


Saturday nights in shouldn’t be about being immersed in a plot-rich drama. Whack that on a weekday and I’ll give it a watch. Saturday night is about laughing at someone make £250 for falling into a bin or aww-ing when a 6 year old goes on national TV and sings a lovely song, even though she is a bit shit, and being wowed by a man who apparently sold mobile phones for a living when he hits that note perfectly for the 8th time this week. It’s what X Factor, Britain’s Got Talent and Pop Idol did perfectly. I’m just confused at why they spread it across a mere week when there was a Summer’s worth of Saturday night ratings wrapped up perfectly for them there.

Thanks to all of you, for the 4 minutes he sings, the Queen won’t be able to nod off and we’ll all have a cranky Queen.


So to end the rant abruptly, what did I think of Britain’s Got Talent? Well you already know I loved it, even though it had the depth of an empty child’s swimming pool. I honestly wanted the man and his monkey to win, purely because it’d probably send the Queen over the top and snap her out of the boredom coma she elapses into every night of the Royal Variety Performance. As good as watching a monkey dance to Earth Song again would be, seeing the Queen snap and grabbing a microphone to call her public “fucking morons” for putting this act on stage of the most prestigious of events whilst throwing chairs at the audience below in a fit of rage whilst denouncing the Monarchy and biting Camilla’s face off would… well it’d certainly stay on the Sky+ for a while. But no, we all decided to be sensible and put the good act on stage. Thanks to all of you, for the 4 minutes he sings, the Queen won’t be able to nod off because he’ll be so bloody loud and we’ll all have a cranky Queen. After the show, she’ll probably push a small child down some stairs at the end of the show. So I hope you now all realise that you’ll soon have a young girl’s cracked skull on your conscience.


Just once, please end the Royal Variety Performance like this.

So in summary: Jekyll, ace at any other time. But, if you air it against Tiswas Reunited, I think I'll pass.

Monday, 18 June 2007

Jekyll and Hyde on BBC, Heckling Jibes on ITV.

It's a pity, because I've heard nothing but bad things about Steven Moffat's latest drama, "Jekyll", which aired on Saturday night. This is possibly because nobody actually watched it and just assumed it was rubbish. I blame Anthony and Declan's latest "Who Can Sing or Juggle" reality show on the other side. Apparently, people aren't willing to give new dramas a chance. They'd rather be entertained by clapping non-entities and singing six-year olds. This said, there hasn't really been a decent BBC Drama since their "Only Human" series back in 1999 which nobody remembers.

This said, I decided to give both shows a chance. The new updated version of "Jekyll" starts James Nesbitt, the voice of the Yellow Pages, and is written by Steven Moffat. Moffat is responsible for twenty-eight brilliant episodes of Coupling, four fantastic episodes of Doctor Who and the more-than-silly Press Gang. He is a big fan of writing non-linear plot driven dramas. He also has a bloody sharp wit about him. This opening episode of his new drama is no different. We jump into the first episode with James Nesbitt already coping with his new life as two people, and he's oddly already used to it. He's got a family, Alan Johnson from Peep Show following him about, as well as two lesbians and a black van interested in his evil counterpart. And I've got to tell you: it was a bloody scary 55 minutes. If you've ever seen Moffat's Doctor Who episodes, you'll notice how brilliantly scary he can be without the need to kill anybody. Nowadays in Film and TV, the only way to scare somebody is to kill every third teenager who dares meddle with whoever the lead Psychopath is. Not true. Moffat's already succesfully given us scary gas mask children, clockwork androids and statues that only move when you blink; without even killing a single person! He successfully manages this brilliant formula to this new drama.

As mentioned in the script, this alter-ego is "a child in a man's body". Keep your dirty Gary Glitter jokes to yourself.


My favourite character is definately Nesbitt's interpretation of Hyde. It was a brilliant mix of Professor Snape and Jim Carrey's The Mask character. And, despite his violent streak, it's bloody adorable! As mentioned in the script, this alter-ego is "a child in a man's body". Keep your dirty Gary Glitter jokes to yourself.

So, on the BBC, we have great suspensful drama without the need to kill anybody. What have we got on ITV.

Oh.

"Britain's Got Talent."

Now, ITV haven't really had a successful Saturday night show since the days of You Bet. In fact, they've basically been screwed since the arrival of a certain Timelord on the other side of the airwaves. I will say this was entertaining. I'll also say that some of the talent displayed was particularly enjoyable. It's just... that infuriating Amanda Holden! It's always the same. She's a sucker for ugly people, old people and young children who think they can sing. She can't be a fair biased judge if her maternity instinct kicks in whenever there's a four-year old in the room. People always give Simon Cowell a hard time, but he always gives his brilliant opinion which is always fact. Then, people go on and rant "Oh yes, but Simon, you signed the Teletubbies to a record label! Ahahaha!". Yes, he did. But he made a truckload of money out of it. He makes smart decisions does Simon. He doesn't turn into a blubbering wreck of emotions like Amanda Holden.

Moving on, and we had.. oh.. a guy with a monkey. A miming monkey. What the jam-mastering hell is going on?


Still, I was able to catch the finalé in the pub last night. Little Miss Muffet who kept singing showtunes annoyed the blithering hair out of me. Was her speaking the lyrics to "I'm Getting Married in the Morning" whilst cockney-jumping around the stage a talent? There was also that little six year old girl who sang Somewhere Over the Rainbow. Which was... as good as her audition when she sang exactly the same song. That's not a talent, it's a party peice. Moving on, and we had.. oh.. a guy with a monkey. A miming monkey. What the jam-mastering hell is going on?

Still, we had a brilliant guy singing opera. He won, which was the only choice it could have been as he was the only person on the show displaying any sort of talent. Still, at the end of the day, this show is no different to Pop Factor or Any Show Will Do. Well, with the difference that people who can juggle bottles of vodka can apply to be on it. It annoys me that people would rather sit down and watch a bunch of nobodies sing rather than sit down and watch a good drama on the BBC.

Did I mention how brilliant Steven Moffat is? Okidokey.